Timmy Sapotille’s work is a layered and uncompromising assemblage of references drawn from his Caribbean background, the region’s syncretic traditions, and a vast constellation of symbols spanning Amerindian, Asian, Arab and European cultures. Born and raised in Guadeloupe, the artist lives and works in Paris. Through diverse forms and materials, he transforms his research into sensory spaces where memory, lived experience and cultural friction converge.
At the core of his practice lies a principle of superposition, of signs, histories and contradictions that coexist without resolving. Sapotille imposes no taboos on himself, whether cultural, religious or political. These zones of tension feed his formal and conceptual vocabulary. His process begins with observation, a patient and latent gaze, before thought moves through the hand and into matter. The work that emerges is never a conclusion but an open proposition, a space for exchange that the viewer is invited to inhabit.
Working from an in-between he makes no attempt to resolve, between Guadeloupe and Paris, between inheritance and imagination, Sapotille’s practice operates as an architecture in motion. His work does not seek to deconstruct for its own sake, but to crack open what seems self-evident, making room for other ways of being and inhabiting the world.
Timmy Sapotille (b. 1999, Guadeloupe) lives and works in Paris.
Timmy Sapotille trained at the École Nationale Supérieure des Beaux-Arts de Paris, under the guidance of Tatiana Trouvé and Wolfgang Tillmans, and continues to develop his research alongside Chloé Quenum. His recent exhibitions include Observation, Beaux-Arts de Paris (2026), curated by Chloé Quenum; Prisme, Paris (2025), curated by Jay Ramier; and Soleil de la Conscience, La Corvée (2024). His work has been included in group shows at the Beaux-Arts de Paris (2024). Prior to institutional recognition, he independently produced and self-financed two exhibitions, RH IZO-ME, Galerie Sono, Paris (2023) and L’Insulaire, Galerie Dohyang Lee, Paris (2022), through which his work first gained the attention of established curators.
In 2024, he received the Public Prize of the Prix Dauphine at the Galerie du Crous, Paris, in duo with curator Eva Augustine.
OPEN : 7/7
HOURS : Monday - Friday :
1PM - 10PM
HOURS : Saturday - Sunday :
1PM - 8:30PM
14 rue Bonaparte, 75006 Paris
Paris
timmyy.sapotille@gmail.com
+33 7 69 98 09 75
Courtesy of Julia Marino